Saturday, 27 November 2021

Thriller Opening Sequence Analysis - Escape Room

Thriller Opening Sequence Analysis - Escape Room

Year released: 2019

Director: Adam Robitel

Studio: Columbia 

Top Billed Cast: Taylor Russel, Logan Miller, Jay Ellis


The genre of the film Escape Room is a Thriller, this is shown through the short shot duration and the desperate and dilapidated physicality of the male character shown, these examples provide emotions such as nerves and excitement to build up in the viewer which are typical conventions of a Thriller film. It stays realistic of what is technically possible in today’s world but yet is ambitious in its attempt to be horrific which further provokes these emotions in the viewer.

The tone of the opening is tense and frantic, this is shown through the grand living room placed before us in a symmetrical shot which then is crushed by the back wall closing in. This tone only continues to grow as the man’s facial expressions become even more desperate and he vocally voices his frustrations as he struggles to find clues to escape the wall closing in. The living room the man is placed in has a grand beauty to it, which contrasts greatly to the purpose of what the room is designed to do, crush people.

The audience is swiftly engaged by the use pleonastic sound effects of objects smashing and breaking which only adds to the stakes of the extreme situation, these objects increase tension further for the audience by making the man’s job harder and working out the puzzle since his path is obstructed by falling objects which also make his concentration on the clues impaired which further brings in audience engagement. When watching the sequence, the audience would also struggle to work out the clues with the man which makes the room seem near impossible to escape which heightens the attention audiences will pay to scene to see how the man will cope with his task. Specifically the Climax of the scene is by far the most engaging when the door to escape doesn't open even when he completed the puzzle, the tonal shift becomes even darker due to the parallel non - diegetic soundtrack which then continues to build with the help of louder and  even more pleonastic sound effects.

The singular character is presented as injured through the way he stumbles across the room and his costume which is ragged and in disarray, from this we can assume he has been through a lot to get to the room he is in now. We know by the style of the costume he is no the richest person and seems fairly average which suggests he is here for a specific reason which is not surface level as opposed to a more obvious reason.

Based on the sequence shown its difficult to predict what will be shown next, however maybe we will find out how the man ended up in the living room he ended up getting crushed in or maybe be shown what happens next to the character since we technically weren’t shown his complete death. I do think this however this sequence alone was a very successful opening because Tension was carefully increased throughout by the dramatic non – diegetic score, pleonastic sound effects, visually arresting  cinematography through the use of symmetry in the camera shots and the desperation conveyed from the mans face when attempting to escape the room.

 

 



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